The Fourth International Conference on Ancient Tomb Art
- When:
- Monday, September 7, 2015 9:00 am - Wednesday, September 9, 2015 6:00 pm
- Where:
-
Begins September 7 through September 9, 2015
The University of Chicago Center in Beijing
20th floor, Culture Plaza
No. 59A Zhong Guan Cun Street
Haidian District Beijing 100872 - Description:
-
The International Conference on Ancient Tomb Art was held from September 7th-9th at the University of Chicago’s Center in Beijing. It was the fourth in a sequence of conferences held biennially on tomb art, the longest and most deeply rooted ritual art tradition in pre-modern China. This is a vital and growing field of study both in the sense of the increasing materials available from archaeological activity and in the multi-disciplinary scholarship that it has inspired.
Chinese tomb art possesses the richest archaeological information, extending over the longest temporal duration and geographical span of any of the world’s art traditions. As a synthetic visual system, its components include architecture, objects, painting, sculpture, decoration, burial equipment, calligraphy, clothing, and the treatment of the body. Supported by major archaeological discoveries in recent decades, the study of ancient Chinese tomb art has expanded into an international arena. Because of this, Peking University, the Central Academy of Fine Arts, Beijing, and the Center for the Art of East Asia at the University of Chicago have organized an initiative to address these cultural materials in a series of international conferences to be held in China. Research subjects include both general historical trends and specific cases; at the same time, there is strong interest growing in analytical and interpretative methods. The conference provided an international and multi-disciplinary platform for increased scholarly communication and understanding based on evidential research, as well as serious reflection and discussion of analytical methodologies.
The project for collaborative scholarly research and sharing of information was introduced in 2009. The two chief organizers of the first International Conference on Ancient Tomb Art were Wu Hung, representing the Center for the Art of East Asia at the University of Chicago, and Zheng Yan, representing the School of Humanities at the Central Academy of Fine Arts. After the first conference a meeting of the participants decided to develop a biannual series of conferences to provide a regular channel for scholarly exchanges in this emerging field of interdisciplinary study and for publication of the resulting papers. The first volume of papers resulting from the 2009 conference was released by Wenwu (Cultural Relics) Press, the best Chinese publisher of ancient art and archaeology, just in time for the conference of 2011.
The organizers of the 2011 conference, like that planned for 2013 represent three major academic institutions, University of Chicago, Peking University, and the Central Academy of Arts. In addition to Wu Hung and Zheng Yan, the chief organizers also include Professor LaoZhu (Zhu Qingsheng), Director of the Center of Visual Studies at Peking University.
The 2015 Conference focused on five general topics: (1) funerary art in its ritual context; (2) Buddhist and Taoist influences on funerary art; (3) cultural interactions in funerary art; (4) new archaeological excavations and case studies; and (5) comparative studies on funerary art. The conference took place over 2.5 days and included five panels and a round-table discussion.
主办:
芝加哥大学东亚艺术研究中心
中央美术学院人文学院
北京大学视觉与图像研究中心
协办:湖南美术出版社
地点:北京,芝加哥大学北京中心
时间:2015年9月7 -9日
古代墓葬美术研究国际学术会议将于2015年9月7 -9日在芝加哥大学北京中心举办。该会议每两年举办一次,今年是第四届。墓葬美术是传统中国历时最久、植根最深的一个礼仪美术传统。随着考古材料不断涌现以及综合学科成果的启迪,墓葬美术已经成为一个非常重要并且不断发展壮大的研究领域。
中国的墓葬艺术有着最为丰富的考古材料,无论是时间的持续还是地域的伸延都在世界美术史上无出其右。它也是考古信息最为丰富的一个综合性艺术系统,其内涵包括了建筑、器物、绘画、雕塑、装饰、葬具、铭刻书法以及对身体的处理。在大量考古材料的支持下,对中国古代墓葬美术的研究近年内在国际领域蓬勃展开。正因如此,北京大学、中央美术学院以及芝加哥大学东亚艺术中心联合在中国发起这一系列国际学术会议,讨论墓葬美术的问题。会议研究的主题包括宏观的历史趋势以及重要的个案,与此同时也非常注重分析和解释的方法。本次会议的目的同之前两次一样,为中外学者提供一个交流和讨论的国际化、多学科平台,既鼓励对重要历史性问题的切实的研究和考证,也提倡对于多种研究方法的思考和讨论,以促进这个学术领域的进一步发展。
古代墓葬美术研究国际学术会议这一学术项目始自2009年,两位主要的发起人为美国芝加哥大学东亚艺术中心的巫鸿教授和中央美术学院人文学院的郑岩教授。2009年第一次会议之后,与会者决定将这个项目发展为每两年一次的系列会议,为这一新兴领域的跨学科研究和论文出版提供一个常设的交流渠道。第一部会议文集由文物出版社出版,并在2011年第二次会议期间发布。
从2011年开始,主办墓葬美术会议的学术机构扩展为三家:芝加哥大学、北京大学和中央美术学院。除了原来的两位发起人巫鸿教授和郑岩教授,北京大学视觉与图像研究中心主任朱青生教授也加入到组织者的团队中。第四届古代墓葬美术研究国际学术会议将延续之前的会议和出版方式,推动古代墓葬美术的交流与研究。
2015年第四届古代墓葬美术研究国际学术会议计划围绕五个主要的论题展开:
1)墓葬美术与礼仪
2)墓葬美术中的佛道教影响
3)墓葬美术中的文化交流
4)新的考古发现和个案研究
5)墓葬美术比较研究
会期为两天半,主要议程包括18位学者分为五组的专题发言和一场圆桌讨论,会后编辑出版文集。
会议日程
Agenda9月7日(星期一,MON)
9:00-9:30 开幕式 Opening Ceremony
主持人: 蒋人和 (芝加哥大学东亚艺术中心)
Moderator: Katherine Tsiang (Center for the Art of East Asia, University of Chicago)
9:00-9:10 巫鸿教授致开幕词,并阐述本次会议主旨
Opening Address: Prof. Wu Hung
9:10-9:20 湖南美术出版社社长致辞
Address: The President of Hunan Fine Arts Publishing House
9:20-9:30 合影
Group Photo Time
第一场 结构和方法
Section 1: Structure & Methodology
关于墓葬问题研究的框架结构
Research Frameworks for the Analysis of Tombs
朱青生与汉画研究所 (北京大学历史系)
Zhu Qinsheng (LaoZhu) and Institute for Han Pictorial Art(Department of History, Peking University)
9:30-10:00
10:00-10:15 评议、讨论 Discussion
2 墓室的建筑空间:从视觉性的“像”到物质性的“想象”
Architectural Space of Tombs: From Visual “Image” to Material “Imagination”
林伟正 (芝加哥大学艺术史系)
Wei-Cheng Lin (Department of Art History, The University of Chicago)
10:15-10:45
10:45-11:00 评议、讨论 Discussion
11:00-11:15 茶歇 Tea Break
3 “技术美术史”视野下的中古墓葬陶俑
Medieval Ceramic Tomb Sculpture from the Perspective of “Technical Art History”
王玉冬 (广州美术学院)
Wang Yudong (Guangzhou Academy of Fine Arts)
11:15-11:45
11:45—12:00 评议、讨论 Discussion
12:00 -14:00 Break 午休
第二场 中外陵墓研究
Section 2 Tomb Studies in China and Other Countries
4 托勒密埃及神庙与陵墓的趋同
Convergence of Forms of Egyptian Temples and Tombs the in Ptolemaic Dynasty
颜海英 (北京大学历史系)
Yan Haiying (Department of History, Peking University)
14:00-14:30
14:30-14:45 评议、讨论 Discussion
5 战国中山王墓研究:一种艺术史的视角
The Zhongshan Imperial Mausoleums of the Warring States Period: A Study from the Perspective of Art History
莫阳 (中国社会科学院考古研究所)
Mo Yang (Institute of Archaeology, Chinese Academy of Social Sciences)
14:45-15:15
15:15-15:30 评议、讨论 Discussion
15:30-15:45 茶歇 Tea Break
第三场 汉代墓葬的建筑与图像
Section 3 Architecture and Pictorial Imagery in Han Period Tombs
6 关于汉代砖室墓营造的几点问题
The Emergence of Brick Architecture in Han China
倪克鲁 (伦敦大学亚非学院)
Lukas Nickel (School of Oriental and African Studies, University of London)
15:45-16:15
16:15-16:30 评议、讨论 Discussion
7 渠县汉阙的初步调查
A Preliminary Investigation of “Que” Towers of the Han Dynasty in Quxian County
秦臻 (四川美术学院)
Qin Zhen (Sichuan Fine Arts Institute)
16:30-17:00
17:00-17:15 评议、讨论 Discussion
8 报告:《汉画总录》南阳卷未发材料和未来处理方案
Report:Unpublished Materials for the Catalogue of Han Art (Nanyang) and Plans for Future Publication
《汉画总录》编辑部
Editorial staff of Catalogue of Han Art
17:15—17:30
17:30-18:00 自由讨论 Free Discussion
9月8日(星期二,TUE)
第四场 六朝墓葬中的绘画与文字
Section 4 Paintings and Inscriptions in Tombs of the Six Dynasties Period
9 六朝墓葬中的反书铭文现象
“Mirror Writing” in Tombs of the Six Dynasties Period
李梅田 (中国人民大学历史学院)
Li Meitian (School of History, Renmin University of China)
9:00—9:30
9:30-9:45 评议、讨论 Discussion
10 线刻、石材与画风——芝加哥艺术博物馆藏石棺床围屏研究
Line Carving, Material and Style: A Study of Two Mortuary Stone Panels in the Art Institute of Chicago
徐津 (芝加哥大学)
Xu Jin (University of Chicago)
9:45-10:15
10:15-10:30 评议、讨论 Discussion
10:30-10:45 茶歇 Tea Break
11 读国博新入藏北朝房形椁札记
Interpreting Notes on the Newly Acquired House-shaped Outer Coffin in the National Museum of China
孙博 (国家博物馆)
Sun Bo (National Museum of China)
10:45-11:15
11:15-11:30 评议、讨论 Discussion
11:30-13:00 Break 午休
第五场 唐代墓葬与绘画史
Section 5 Tang Dynasty Tombs and the History of Chinese Painting
12 唐代的挂画和仿挂画墓葬壁画——兼谈立轴的起源
Tang Dynasty Hanging Paintings and Their Imitations in Tomb Murals: With Additional Thoughts on the Origin of Hanging Scrolls
巫鸿 (芝加哥大学东亚艺术中心)
Wu Hung (Center for the Art of East Asia, University of Chicago)
13:00-13:30
13:30-13:45 评议、讨论 Discussion
13 唐代山水画风格蠡测——以墓葬出土图像为主要依据
Tang Dynasty Landscape Painting Style: A Preliminary Inquiry Based on Excavated Images
李星明 (复旦大学)
Li Xingming (Fudan University)
13:45-14:15
14:15-14:30 评议、讨论 Discussion
14 唐韩休墓壁画乐舞图的语言与意象
The Language and Imagery of Dancing and Music Scene in the Tang Dynasty Murals of the Han Xiu Tomb
14:30-15:00
15:00-15:15 评议、讨论 Discussion
郑岩 (中央美术学院)
Zheng Yan (The Central Academy of Fine Arts)DSC_5825
15:15-15:30 茶歇 Tea Break
第六场 唐代墓葬与物质文化
Section 6 Tomb and Material Culture of Tang Dynasty
15 媒材的竞争:唐三彩与唐代墓葬制度
Rivalry of material and medium: Tang Three-color Glazed Pottery and the Burial System of the Tang Dynasty
徐胭胭 (清华大学美术学院)
Xu Yanyan (Academy of Arts & Design, Tsinghua University)
16:15-16:45
16:45-17:00 评议、讨论 Discussion
17:00-17:30 自由讨论 Free Talk
9月9日(星期三,WED)
第七场 宋元墓葬美术与观念
Section 7 The Art of Song and Yuan Dynasties Tombs and their Conceptualization
16 墓葬与死者之间——叩问壶关上好牢1号墓的话语逻辑
Between the Tomb and the Dead:The Language Logic of Shanghaolao Tomb No.1, in Huguan County
李清泉(广州美术学院)
Li Qingquan(Guangzhou Academy of Fine Arts)
9:00—9:30
9:30-9:45 评议、讨论 Discussion
17 死生之间——小议蒙元时期墓室营造中的阴阳互动
Life and Death: A Study of the Interaction between the Living and the Dead in the Construction of Tombs of Mongol-Yuan Period
袁泉(首都师范大学历史学院)
Yuan Quan(School of History, Capital Normal University)
9:45-10:15
10:15-10:30 评议、讨论 Discussion
10:30-11:00 自由讨论 Free Talk
11:00-11:30 茶歇 Tea Break
11:30-12:00 总结Conclusion :
主持人:郑岩
Moderator: Zheng Yan
总结者:巫鸿、朱青生
Closing Remarks: Wu Hung and LaoZhu
会议闭幕 Conference closes